Welcome to 2017!
This year promises to be a very fulfilling year for cinema, especially given that 2016 was such a monumental year for the medium, I mean, just look at what happened at The Academy Awards earlier this year? Two Best Picture winners? While I truly believed that Moonlight championed its rival in 2016, both Moonlight and La La Land will always be, famously and unanimously associated with one another.
Luckily for us, no matter how many years pass, cinema always seems to be evolving, for better, or for worse, depending how you see it [depending on how much of an optimist or pessimist you are]. Whether it be the forum of the medium, the medium itself, its format or just the way stories are told and presented, cinema is a child constantly growing up.
Scorching with the dry and arid heat of the desert land, an aerial view of Phoenix, Arizona fills the opening screen of French Canadian director Denis Villenueve’s newest feature Sicario. Sweaty, pulsating with uncanny tension and trumpeting with constant uncertainty, it seems that the land in which Sicario is based on is inhabited solely by the ravenous animals of the desert; and no, it isn’t referring to the four-legged desert beasts hungry for blood.