The Best and Worst of 2017…Thus Far

Welcome to 2017!

This year promises to be a very fulfilling year for cinema, especially given that 2016 was such a monumental year for the medium, I mean, just look at what happened at The Academy Awards earlier this year? Two Best Picture winners? While I truly believed that Moonlight championed its rival in 2016, both Moonlight and La La Land will always be, famously and unanimously associated with one another.

Luckily for us, no matter how many years pass, cinema always seems to be evolving, for better, or for worse, depending how you see it [depending on how much of an optimist or pessimist you are]. Whether it be the forum of the medium, the medium itself, its format or just the way stories are told and presented, cinema is a child constantly growing up.  Continue reading

Review: Noah

Controversy is sure to ensue following the release of the Bible’s greatest and most epic story found in the Old Testament involving Noah and his arc. Visionary director and passionate auteur Darren Aronofsky has always been fascinated with the character of Noah, and the inner workings of a man tormented by the voice of God and conflicted by his own voice of reason. For the sake of skeptics, religious groups, and devout Catholics, I intend to avert my review very far away from any religious claims or criticism for the film Noah, and instead intend to only offer criticism on the film itself, regardless of its strong Biblical undercurrent. Visually, Noah floats adrift many previous films that share a similar look (The Road, Tree of Life, The New World) but unfortunately sinks in a preposterous commentary set amongst mythological creatures, accepting fate and the age-old argument of man versus God, man versus nature, and man versus himself. Continue reading