Imagine if Willem Dafoe and Jack Nicholson’s the Joker had a baby and was captured with that disturbing and oddly sinister SnapChat filter that embellishes your mouth. Now imagine that offspring haunted and followed you around declaring you choose “Truth or Dare” in a twisted game of survival, untimely death and mutilation. Well, if you’ve pictured that perfectly in your head, then you’ve visualized the type of disturbing and demonic visions torturing a young group of teenagers who have played a deadly game of truth or dare in Mexico.
Each and every year, as the age of cinema increases, so does the skepticism of the art forms relevance and focus. Ever since doing a “Best of” list to showcase the best that cinema has to offer each and every year, there is always someone or a group of people declaring that the end of cinema; its ultimate demise, is upon us. Yet, this year, moreso, than any other year, phrases such as “profoundly moving”, “the reason we go to the movies”, and “historical achievement” are just some of the many phrases thrown around to more than one of the films released in 2016.