In a world where audiences cannot get enough of superheroes, comics and geeking over the impossibly feverish fade of comic book hero’s adapted onto the big screen, DC Comics is trying to cash in on this highly lucrative cinematic craze by developing a feature length feature, and their competition to The Avengers with Suicide Squad. Yet, if we really look at the bigger picture of Suicide Squad, one can easily see some stark differences, for example; none of the characters are really superheroes but villains; none of the characters presented are really recognizable names, with the exception of The Joker (who isn’t even a member of the squad in the film) and Harley Quinn (who is destined to become a household character by the end of this film, with the help of Margot Robbie of course), and, if not most importantly, assembling a team together, including cast and crew, that couldn’t be more, disassembled.
In June of 2015 one of my favourite HBO shows of all time will make its debut on the silver screen. While Entourage may not be the greatest television show ever created, it sure does succeed in allowing its main demographic to fantasize about fame and fortune. It is true that the Entourage film has very little to almost zero relevance to The Water Diviner, butits subject matter (a very eager Hollywood star, in this case, the fictional Vincent Chase making his directorial film debut) does. Now you may be asking, what is the point here? Continue reading
I can just imagine what the pitch meeting for I, Frankensteinwas like…It was probably a lot like, if not identical to, the pitch about a long feuding history between vampires and werewolves that have taken over the city’s underworld, with a love story thrown in there just for fun. Alas, from the producers of Underworld, with some of the same actors in Underworld, and with the exact same narrative of Underworld ,comes…not Underworld, but I, Frankenstein. If you’re confused, stay with me.Continue reading
There is a certain respect for festival films, a respect that acknowledges the notion that no idea is too small or no ambition is too large for the subject matter of a feature film. Within the limited space of a logline, Felony sounds like a small, tired and exhaustedly simple idea for a narrative feature length film. Instead, this little film that could, turns out to be a complex parable of the power of choice, the innate instinct to survive and asks the question of, how is the goodness of a person measured?Continue reading