Film Review: Isle of Dogs

Audiences around the world go to see a Wes Anderson film for many reasons; imagination, creativity, wonder and most of all, amazement. A man who has crafted and added to, not only a branch of the film industry within the independent market, but an individual who arguable has his own genre of film, proves with his latest that you are able to make an independent success, commercial darling and fading animation style feature film revolutionary. After eight feature films which enrich the medium as a whole, Wes Anderson delved, for a second time, into the stop-motion foray with his ninth future film, and quite possibly his best yet with Isle of Dogs Continue reading

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Film Review: Le Week-End

Oh Paris, je t’aime!

What do you get when you mix the influence of French new wave director Jean-Luc Godardthe acting talents of Jim Broadbent and Lindsay Duncan, the sturdy direction of Roger Michell and poised writing of Hanif Kureishi? What feels like the unofficial fourth entry to the Before Sunrise independent film trilogy, Le Week-End is a film that could easily be mistaken as the extended look at the lives of Jesse and Celine, years after their fateful meeting in Vienna.

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Review: The Grand Budapest Hotel

You see, there are still faint glimmers of civilization left in this barbaric slaughter house that was once known as humanity”.  If there was ever a quote to sum up the films of Wes Anderson, this would be high on the list. Highly inventive, absurd, and at times, narratively incoherent, Anderson’s eighth feature film is a grand, accommodating feature whose self is probably not as grand as the cast it has rounded out.

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