Night Film Reviews’ Best and Worst Films of 2016

Each and every year, as the age of cinema increases, so does the skepticism of the art forms relevance and focus. Ever since doing a “Best of” list to showcase the best that cinema has to offer each and every year, there is always someone or a group of people declaring that the end of cinema; its ultimate demise, is upon us. Yet, this year, moreso, than any other year, phrases such as “profoundly moving”, “the reason we go to the movies”, and “historical achievement” are just some of the many phrases thrown around to more than one of the films released in 2016. Continue reading

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Film Review: Café Society

At eighty years young, Woody Allen delivers his forty-sixth (yup, you read that right) feature film with Café Societya bourbon basked narrative feature showcasing the wonderfully vibrant jazz era of the 1930’s, where the magic of the movies is very much alive; nightclubs are bustling with life, traces of the gangster underworld are closer than ever and love is a feeling as whimsical as ever in a parallel tale spanning from Hollywood to New York City. Continue reading

TIFF Review: Night Moves

As Josh Stamos (Jessie Eisenberg) drives on the blackened country highway road somewhere in Oregon, he swerves over the traffic lane, trying to avoid a doe lying on the cold asphalt.  The car suddenly stops, and Josh, along with his companion Dena Brauer (Dakota Fanning) get out of the car and approach the doe. From a distance, Dena watches while Josh kneels beside the dead animal. “Her belly is warm. She’s pregnant” exclaims Josh. Seconds later, Josh unflinchingly pushes the doe and her barely breathing baby on the side of the road, helpless. Continue reading