The Best and Worst of 2017…Thus Far

Welcome to 2017!

This year promises to be a very fulfilling year for cinema, especially given that 2016 was such a monumental year for the medium, I mean, just look at what happened at The Academy Awards earlier this year? Two Best Picture winners? While I truly believed that Moonlight championed its rival in 2016, both Moonlight and La La Land will always be, famously and unanimously associated with one another.

Luckily for us, no matter how many years pass, cinema always seems to be evolving, for better, or for worse, depending how you see it [depending on how much of an optimist or pessimist you are]. Whether it be the forum of the medium, the medium itself, its format or just the way stories are told and presented, cinema is a child constantly growing up.  Continue reading

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TIFF Review: Felony

There is a certain respect for festival films, a respect that acknowledges the notion that no idea is too small or no ambition is too large for the subject matter of a feature film. Within the limited space of a logline, Felony sounds like a small, tired and exhaustedly simple idea for a narrative feature length film. Instead, this little film that could, turns out to be a complex parable of the power of choice, the innate instinct to survive and asks the question of, how is the goodness of a person measured? Continue reading