Each and every year, as the age of cinema increases, so does the skepticism of the art forms relevance and focus. Ever since doing a “Best of” list to showcase the best that cinema has to offer each and every year, there is always someone or a group of people declaring that the end of cinema; its ultimate demise, is upon us. Yet, this year, moreso, than any other year, phrases such as “profoundly moving”, “the reason we go to the movies”, and “historical achievement” are just some of the many phrases thrown around to more than one of the films released in 2016.
It is often stated that the line between insanity and genius is measured only by success. When discussion turns to that of one’s genius, we find it difficult not to equate that genius with some level of insanity. This is especially true when that discussion focuses on Steve Jobs, the man behind machines that allows us to hold the world in the palm of our hand. Steve Jobs is not simply a film, but is an experience of perception; of history; and of a household name.