Film Review: Booksmart

In 2007, a little coming of age-high school comedy, with a very modest budget of $20 million took the coming of age, modern high-school comedy canon by storm, and has yet to be trumped in over a decade. That little movie that could was Superbad, a film that was written by real-life best friend Seth Rogen and Evan Goldberg, who, went on to becoming two of the most successful and prominent comedy writers of our generation. Generating real-life stories based on what happened to them, including the infamous period-blood dance scene, the cocaine-karaoke scene and other incredibly funny scenarios that we thought could ever happen in a million years, the two writers have a knack of garnering insatiable laughs with well-received, cortically and commercially successful films. Luckily for us, Superbad was a film that starred two breakout stars in Michael Cera and Jonah Hill, who would go on to becoming staples in the comedy world as well as the Seth Rogen’s comedy empire. But like all good things in this world, change is upon us. With the recent influx of female voices being heard and stories being told, we fast forward twelve years, and finally have our very own, female-centric Superbad with Booksmart. And as if destiny would have it, ironically enough, this kick-ass female story of missed opportunities and revelations delivers endless laughs, sometimes cries and funny enough, stars Jonah Hill’s little sister Beanie Feldstein. How’s that for a coincidence?

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The Best and Worst of 2017…Thus Far

Welcome to 2017!

This year promises to be a very fulfilling year for cinema, especially given that 2016 was such a monumental year for the medium, I mean, just look at what happened at The Academy Awards earlier this year? Two Best Picture winners? While I truly believed that Moonlight championed its rival in 2016, both Moonlight and La La Land will always be, famously and unanimously associated with one another.

Luckily for us, no matter how many years pass, cinema always seems to be evolving, for better, or for worse, depending how you see it [depending on how much of an optimist or pessimist you are]. Whether it be the forum of the medium, the medium itself, its format or just the way stories are told and presented, cinema is a child constantly growing up.  Continue reading