Death is undoubtedly the strongest motif in Seth MacFarlane’s newest live-action feature film A Million Ways To Die In the West. And like the motif itself, one cannot help but be bored to death with a film, that started off as an inside joke between friends (MacFarlane as well as his co-writers Alec Sulkin and Wellesley Wild), and develops into a perfectly displayed example of what happens when people who have too much money are given the freedom to make any piece of cow dung they want.  Continue reading