Each and every year, as the age of cinema increases, so does the skepticism of the art forms relevance and focus. Ever since doing a “Best of” list to showcase the best that cinema has to offer each and every year, there is always someone or a group of people declaring that the end of cinema; its ultimate demise, is upon us. Yet, this year, moreso, than any other year, phrases such as “profoundly moving”, “the reason we go to the movies”, and “historical achievement” are just some of the many phrases thrown around to more than one of the films released in 2016. Continue reading
Peter Sarsgaard
TIFF Review: Night Moves
As Josh Stamos (Jessie Eisenberg) drives on the blackened country highway road somewhere in Oregon, he swerves over the traffic lane, trying to avoid a doe lying on the cold asphalt. The car suddenly stops, and Josh, along with his companion Dena Brauer (Dakota Fanning) get out of the car and approach the doe. From a distance, Dena watches while Josh kneels beside the dead animal. “Her belly is warm. She’s pregnant” exclaims Josh. Seconds later, Josh unflinchingly pushes the doe and her barely breathing baby on the side of the road, helpless. Continue reading