There comes a time, very rarely, where the term enlightened and delightful can be used in the context of a single film. Thankfully, Locke is that film. Being titled and awarding our main protagonist with the surname of one of the pioneers of the age of enlightenment, the father of classical liberalism and a philosopher who contributed endlessly to the notion of identity and that enigmatic term, ‘the self’, it seems only fitting to have one actor have the privilege to don John Locke’s prestigious name while manoeuvring the concrete highways of Birmingham, England, and that is one of our generation’s most promising talents, the one and only Tom Hardy.
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